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On July 17, , video rental shops and adult movie theaters in the US scrambled to withdraw from their shelves all hardcore material featuring Lords in order to avoid prosecution for distributing child pornography.

John Weston, attorney of the Adult Film Association of America , said distributors should withdraw any movie made before May , featuring Lords "in sexual conduct, no matter how briefly".

The withdrawal of Lords' movies from the market cost the industry millions of dollars. While most of her movies were permanently removed from distribution in the United States, several were re-edited to remove Lords' scenes entirely such as Kinky Business and New Wave Hookers , or in a few cases, had new footage filmed with a different actress playing her part as in Talk Dirty to Me Part III.

After spending several months in therapy, Lords decided to concentrate on acting. She enrolled at the Lee Strasberg Theatre and Film Institute , where she studied method acting for three months.

After leaving the school, Lords placed an advertisement in The Hollywood Reporter looking for representation. She was contacted by Fred Westheimer and although the agency declined to officially represent her, he decided to send her out on a few auditions.

As a result, she was offered a guest role in an episode of the television series Wiseguy. He immediately cast Lords into the lead role of Nadine Story, and Not of This Earth became her first mainstream film debut since her departure from the adult film industry.

Although the film failed at the box office, it did well in video sales. Based on that success, Lords was offered to appear in Wynorski's next film, The Haunting of Morella However, Lords turned down the offer due to the requirement of having a nude scene, since she was trying to establish herself as a serious actress.

In November , Lords enrolled in another acting class and again began looking for an agent. In December, she mass-mailed her resume to various agents and arranged a meeting with Don Gerler.

Lords auditioned for the part of Breathless Mahoney in the film Dick Tracy , but the role went to Madonna. The film was a critical and commercial success, and her portrayal of the rebellious teenager Wanda Woodward established her as a legitimate actress.

On the set of the film, she met the property master Brook Yeaton, whom she began dating. The couple married in September in Baltimore, Maryland.

Directed and produced by her former boyfriend and business partner Stewart Dell, the video had been filmed in early An extended version was reissued in under the title Traci Lords: Advanced Jazzthetics.

She continued modeling and walked the runway for fashion designers such as Janet Howard and Thierry Mugler. During , Lords decided to emphasize her career as a recording artist.

She first got signed to a development deal with Capitol Records. During the spring of , Lords began working on her debut album.

The company arranged her to fly to London and meet with producer Tom Bailey. After finishing her recording with Bailey, Lords was introduced to producer Ben Watkins of Juno Reactor with whom she recorded more techno -influenced songs.

She later met Mike Edwards, the main singer of the band Jesus Jones. Around the same time, Lords was cast in the television series Roseanne , appearing in three episodes.

During January , Lords appeared in four episodes of the television series Melrose Place , where she played the part of Rikki Abbott. It received generally positive reviews and the lead single " Control " peaked at number two on the Billboard Hot Dance Club Songs.

The album's second single, " Fallen Angel ", was also successful in charts, peaking at number eleven on Hot Dance Club Songs.

After the release of the album, Lords embarked on a small tour performing as a DJ , mostly in Miami nightclubs. By the end of , Lords divorced her husband of five years, Brook Yeaton.

In , Lords appeared in a small part in the Gregg Araki film Nowhere , and starred in the drama thriller Stir. She played a felon, Sharon Lesher, who is manipulated by a serial killer Jack-of-All-Trades and eventually becomes his partner in crime Jill-of-All-Trades.

Lords was eventually approached to appear in the sequel Blade II portraying Racquel's twin sister Valerine in seeking of vengeance upon Blade.

However, she turned down the offer because of her contradictory schedule. However, it was later neglected after she left the record label.

In August, Lords ended her two-year relationship with John Enos after they reportedly got into an argument because her cat was killed by one of Enos' dogs.

In , Lords had lead roles in the films Epicenter and Chump Change. Comedy Arts Festival. She played Jordan Radcliffe, an heiress and leader of the Human Resistance Group "The Raven Nation" after the aliens used her brother to murder her parents.

In the book, Lords chronicled her childhood, career, and two-year stint in the x-rated industry. The book received positive reviews from critics and was a commercial success, making The New York Times Best Seller list.

It was criticized by pornographers, who claim they were the victims. Lords continued to use the now-famous stage name that she had given herself as a minor and ultimately made it her legal name.

She explained, "I chose to stop running from it. Instead, I won it, legally changing my name to Traci Elizabeth Lords. That's who I was, and that's who I was going to be.

During , it was announced that Lords was working on new music and had recorded a cover version of Missing Persons ' song " Walking In L.

She signed to Sea To Sun records the following year, and released the chart-topping single "Last Drag". Lords is currently recording new music in Los Angeles.

By the beginning of , Lords became unexpectedly pregnant. Now I'm expecting a boy! We're stunned and thrilled. I just want you to know, these Ds are mine.

I haven't had a boob job, she laughed! But now I'm starting to show. And my husband is happy with the changes in my figure. I never thought it would be on something called Zack and Miri Make a Porno.

So I went and I read the script at his house and I was prepared to say no. I thought I have the perfect out. I just had a kid. No one is going to blame me if I say I just can't do this right now.

But it made me laugh out loud and it made me just literally cry. It was just funny. I'm done with all that, she said.

Lords chose to breastfeed her son in between takes instead. She was disappointed by the final project. The production was just too careless.

But I believed the voices of those around me who said 'No, it'll be artistic, no, it'll be creative. You'll look beautiful.

We have a very limited budget but honest, you'll be proud. At least that was what I was told. After watching the first two minutes I had to turn it off and hide under the covers.

In March , Lords announced she began working on her new album with "Pretty" being the lead single. However, the project was later shelved and "Pretty" was released as a promotional single only.

The single was successful in dance charts debuting at number forty-five and eventually peaking at number four on the Billboard Dance Club Songs.

It featured three of her own remixed tracks as well as songs by other artists. So was my mother. I think there's a sickness in that city," Lords said.

Keanu Reeves and Peter Stormare co-star. The first pieces from her collection were inspired by the character of Wanda Woodward from Cry-Baby as well as s fashion; the clothing line is available exclusively through the Pinup Girl Clothing website.

She commented on her inspiration behind the line: "John [Waters] wrote such strong characters in Cry-Baby.

And in that rockabilly , punk rock , vintage pin-up girl kind of world, Wanda Woodward is pretty much a queen. Lords co-starred in the Viaplay original comedy series Swedish Dicks.

She played Jane McKinney, a private investigator and competitor of the show's protagonist. Filming was scheduled to commence in Lords continues to act, and has had a number of films released over the last couple of years.

Lords has publicly stated her support of the LGBT community. From Wikipedia, the free encyclopedia. American actress. Steubenville, Ohio , U.

Brook Yeaton. Ryan Granger. Jeff Gruenewald. Techno trance trip hop pop. Radioactive Sea to Sun. Manic Street Preachers Juno Reactor.

I never wanted to be like my mother. You know, kids at sixteen, a husband who drinks and beats you. When I hit L. I was hateful to my mother.

If I came home from a date at and my mother questioned me, I'd say, 'I was out fucking somebody! I just wanted to piss my mother off.

This section needs expansion. You can help by adding to it. July Main article: Traci Lords filmography. Main article: Traci Lords discography. GQ : — Retrieved March 15, Crime Library.

Archived from the original on February 10, Critics Consensus: The Night Porter's salaciousness gives its exploration of historical trauma a bitter aftertaste, but audiences seeking provocation are unlikely to forget the sting of this erotic drama.

Directed By: Liliana Cavani. Directed By: Eva Husson. Critics Consensus: Grimly stylish, Ken Russell's baroque opus is both provocative and persuasive in its contention that the greatest blasphemy is the leveraging of faith for power.

Directed By: Ken Russell. Critics Consensus: While Paul Schrader's clinical direction and Richard Gere's muted performance don't stir much passion, American Gigolo succeeds as a stylish character study.

Directed By: Paul Schrader. Critics Consensus: The sex may be explicit, but Mitchell integrates it into the characters' lives and serves the whole story up with a generous dose of sweetness and wit.

Directed By: John Cameron Mitchell. Critics Consensus: If it can't quite live up to Nabokov's words, Adrian Lyne's Lolita manages to find new emotional notes in this complicated story, thanks in large part to its solid performances.

Directed By: Adrian Lyne. Critics Consensus: Lila Says is a vibrantly told coming-of-age story, helped by the sultry charisma of Giocante.

Directed By: Ziad Doueiri. Directed By: Matthew M. Ross , Matthew Ross. Directed By: Jon Hewitt. Critics Consensus: Tie Me Up!

Critics Consensus: Double Lover offers kinky pleasures that should thrill fans of classic erotic cinema while adding some uniquely transgressive European twists.

Directed By: Lynne Stopkewich. Critics Consensus: Beneath the gratuitous nudity lies a complex and visually striking movie.

Directed By: Julio Medem. Directed By: Argyris Papadimitropoulos. Directed By: Ang Lee. Directed By: Dennis Hopper.

Critics Consensus: A surprisingly sultry performance from Ally Sheedy elevates High Art from pretentious melodrama to compelling -- if still a little pretentious -- romance.

Directed By: Lisa Cholodenko. Critics Consensus: Though it makes for rather unpleasant viewing, The Piano Teacher is a riveting and powerful psychosexual drama.

Directed By: Michael Haneke. Critics Consensus: Visually striking and aggressively confrontational, We are the Flesh may prove as difficult to watch as it ultimately is to forget.

Critics Consensus: Obsession suffers in comparison to the Alfred Hitchcock masterpiece that it mirrors, but director Brian De Palma's unique preoccupations give this thriller its own compulsive, twisted fingerprint.

Directed By: Brian DePalma. Critics Consensus: Confidently campy and played with groovy conviction, Beyond the Valley of the Dolls is an exuberant expression of both the hilarity and terror that comes with free love.

Directed By: Russ Meyer. Critics Consensus: Though hard to watch, this film's disturbing exploration of freedom of expression is both seductive and thought-provoking.

Directed By: Bernardo Bertolucci. Critics Consensus: Kubrick's intense study of the human psyche yields an impressive cinematic work.

Directed By: Stanley Kubrick. Critics Consensus: Boldly transgressive, ambitious, and undeniably flawed, Pola X overcomes its stumbles with palpable passion.

Directed By: Leos Carax. Directed By: Jean-Jacques Beineix. Critics Consensus: More complicated than your average bodice ripper, Catherine Breillat's Last Mistress features beautiful costumes, wrought romances, and a feral performance from Argento.

Directed By: Catherine Breillat. Critics Consensus: A potboiler in the finest sense, Fatal Attraction is a sultry, juicy thriller that's hard to look away from once it gets going.

Critics Consensus: Maggie Gyllenhaal impresses in this romantic comedy with a kinky twist. Directed By: Steven Shainberg. Critics Consensus: Darkly funny, fearlessly bold, and thoroughly indulgent, Nymphomaniac finds Lars von Trier provoking viewers with customary abandon.

Directed By: Lars von Trier. Critics Consensus: A compelling and oddly haunting combination of brutal and beautiful imagery.

Directed By: Kim Ki-duk. Critics Consensus: Tasteful, poetic, yet sexually forthright, Lady Chatterley skillfully translates its source novel's high-art erotica onto the big screen.

Directed By: Pascale Ferran. Critics Consensus: The Wayward Cloud may baffle more literally minded viewers, but its surreal pleasures will resonate with fans of thoroughly unique cinema.

Directed By: Ming-liang Tsai. Directed By: Louis Malle. Critics Consensus: Exemplifying Brian De Palma's filmmaking bravura and polarizing taste, Body Double is a salacious love letter to moviemaking.

Critics Consensus: Reid gives a fearless, realistic performance in depicting an older woman's sexual blossoming. Directed By: Roger Michell.

Critics Consensus: Moody and steadily alluring, Sea of Love benefits immeasurably from the window-fogging chemistry between Ellen Barkin and Al Pacino.

Directed By: Harold Becker. Critics Consensus: Angel Heart lures viewers into its disturbing, brutal mystery with authentic noir flair and a palpably hypnotic mood.

Directed By: Alan Parker. Critics Consensus: A whimsically engaging sex comedy. Directed By: Shohei Imamura. Critics Consensus: Boasting stellar performances by Michael Fassbender and Carey Mulligan, Shame is a powerful plunge into the mania of addiction affliction.

Critics Consensus: Smartly constructed by writer-director Gina Kim and brought to life by a strong cast led by Vera Farmiga, Never Forever is an unexpectedly engaging melodrama.

McInnis , Hwa-Si Lee. Directed By: Gina Kim. Directed By: Simon Rumley. Critics Consensus: A quartet of nuanced performances and Ken Russell's off-kilter direction brings D.

Critics Consensus: The stylish Thirst packs plenty of bloody thrills to satisfy fans of both vampire films and director Chan Wook Park. Directed By: Park Chan-wook.

Critics Consensus: It stumbles into melodrama, but I Am Love backs up its flamboyance with tremendous visual style and a marvelous central performance from Tilda Swinton.

Directed By: Luca Guadagnino. Critics Consensus: A poignant coming-of-age tale marked by a breakout lead performance from Abbie Cornish and a successful directorial debut from Cate Shortland.

Directed By: Cate Shortland. Critics Consensus: A sensual thriller with two engaging performers demanding our undivided attention.

Critics Consensus: With arresting visuals and an engrossingly lurid mystery, Dressed to Kill stylishly encapsulates writer-director Brian De Palma's signature strengths.

Critics Consensus: David Lynch's dreamlike and mysterious Mulholland Drive is a twisty neo-noir with an unconventional structure that features a mesmirizing performance from Naomi Watts as a woman on the dark fringes of Hollywood.

Directed By: David Lynch. Critics Consensus: Exploring sexual mores against the backdrop of real-life social upheaval, The Unbearable Lightness of Being artfully blends the political and the erotic.

Critics Consensus: Naturalistic but evocative, Last Tango in Paris is a vivid exploration of pain, love, and sex featuring a typically towering Marlon Brando performance.

Critics Consensus: Its message may prove elusive for some, but with absorbing imagery and a mesmerizing performance from Scarlett Johansson, Under the Skin is a haunting viewing experience.

Directed By: Jonathan Glazer. Critics Consensus: The Untamed attempts some ambitious tonal juggling between fantastical and disturbing -- and draws viewers in with its slippery, inexorable pull.

Directed By: Amat Escalante. Critics Consensus: Sexual taboos are broken and boundaries crossed In the Realm of the Senses, a fearlessly provocative psychosexual tale.

Directed By: Nagisa Oshima. Directed By: Angela Robinson. Critics Consensus: This emotionally gripping examination of a marriage on the rocks isn't always easy to watch, but Michelle Williams and Ryan Gosling give performances of unusual depth and power.

Critics Consensus: Bound's more titillating elements attracted attention, but it's the stylish direction, solid performances, and entertaining neo-noir caper plot that make it worth a watch.

Critics Consensus: Provocative, funny, and brilliantly acted, Venus in Fur finds Roman Polanski in top late-period form. Starring: Emmanuelle Seigner , Mathieu Amalric.

Critics Consensus: Raw, honest, powerfully acted, and deliciously intense, Blue Is the Warmest Color offers some of modern cinema's most elegantly composed, emotionally absorbing drama.

Directed By: Abdel Kechiche. Critics Consensus: The Blue Room proves a sobering study of the dark side of human nature, as well as a coolly assured directorial effort from star and co-writer Mathieu Amalric.

Directed By: Mathieu Amalric. Critics Consensus: Absorbing, visually arresting, and powerfully acted by an immensely talented cast, A Bigger Splash offers sumptuously soapy delights for fans of psychological adult drama.

Critics Consensus: Tender, funny, and touching, The Sessions provides an acting showcase for its talented stars and proves it's possible for Hollywood to produce a grown-up movie about sex.

Macy , Annika Marks. Directed By: Ben Lewin. Critics Consensus: A road movie that's not only sexy, but intelligent as well. Critics Consensus: Powered by Holly Hunter's main performance, The Piano is a truth-seeking romance played in the key of erotic passion.

Directed By: Jane Campion. Critics Consensus: Kubrick's Lolita adapts its seemingly unadaptable source material with a sly comedic touch and a sterling performance by James Mason that transforms the controversial novel into something refreshingly new without sacrificing its essential edge.

Critics Consensus: Stylish, seductive, and clever, Stephen Frears' adaptation is a wickedly entertaining exploration of sexual politics.

Directed By: Stephen Frears. Critics Consensus: If audiences walk away from this subversive, surreal shocker not fully understanding the story, they might also walk away with a deeper perception of the potential of film storytelling.

Critics Consensus: Like Body Heat, The Last Seduction updates film noir techniques for a modern era, imbuing this erotic film with '90s snark.

Directed By: John Dahl. Critics Consensus: Sexy, smart, and darkly humorous, Stranger by the Lake offers rewarding viewing for adult filmgoers in search of thought-provoking drama.

Directed By: Alain Guiraudie. Critics Consensus: Stylish, sensual, and smart, The Duke of Burgundy proves that erotic cinema can have genuine substance.

Directed By: Peter Strickland. Critics Consensus: It may be a chamber piece but Weekend's revelations on modern sexuality expand far beyond the modest setting.

Directed By: Andrew Haigh. Critics Consensus: The Handmaiden uses a Victorian crime novel as the loose inspiration for another visually sumptuous and absorbingly idiosyncratic outing from director Park Chan-wook.

Critics Consensus: In his feature directorial debut, Steven Soderbergh demonstrates a mastery of his craft well beyond his years, pulling together an outstanding cast and an intelligent script for a nuanced, mature film about neurosis and human sexuality.

Directed By: Steven Soderbergh. Critics Consensus: Nina Forever tests the limits of the rom-com with a decidedly unorthodox triangle that's as diabolically original as it is daringly dark.

Critics Consensus: Exotica simmers with sex and obsession, while successfully doubling as an extreme character study.

Directed By: Atom Egoyan. Critics Consensus: Made from classic noir ingredients and flavored with a heaping helping of steamy modern spice, Body Heat more than lives up to its evocative title.

Directed By: Lawrence Kasdan. Critics Consensus: Smart and utterly original, The Draughtsman's Contract is a period piece that marks the further maturation of a writer-director with a thrillingly unique vision.

Critics Consensus: A sensual and hypnotic masterpiece, La Belle Noiseuse luxuriates in its four-hour run time while holding audience attention. Directed By: Jacques Rivette.

More Countdown. The 90 Best Horror Movies of the s.

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Directed By: Adrian Lyne. Critics Consensus: Lila Says is a vibrantly told coming-of-age story, helped by the sultry charisma of Giocante. Directed By: Ziad Doueiri.

Directed By: Matthew M. Ross , Matthew Ross. Directed By: Jon Hewitt. Critics Consensus: Tie Me Up! Critics Consensus: Double Lover offers kinky pleasures that should thrill fans of classic erotic cinema while adding some uniquely transgressive European twists.

Directed By: Lynne Stopkewich. Critics Consensus: Beneath the gratuitous nudity lies a complex and visually striking movie. Directed By: Julio Medem.

Directed By: Argyris Papadimitropoulos. Directed By: Ang Lee. Directed By: Dennis Hopper. Critics Consensus: A surprisingly sultry performance from Ally Sheedy elevates High Art from pretentious melodrama to compelling -- if still a little pretentious -- romance.

Directed By: Lisa Cholodenko. Critics Consensus: Though it makes for rather unpleasant viewing, The Piano Teacher is a riveting and powerful psychosexual drama.

Directed By: Michael Haneke. Critics Consensus: Visually striking and aggressively confrontational, We are the Flesh may prove as difficult to watch as it ultimately is to forget.

Critics Consensus: Obsession suffers in comparison to the Alfred Hitchcock masterpiece that it mirrors, but director Brian De Palma's unique preoccupations give this thriller its own compulsive, twisted fingerprint.

Directed By: Brian DePalma. Critics Consensus: Confidently campy and played with groovy conviction, Beyond the Valley of the Dolls is an exuberant expression of both the hilarity and terror that comes with free love.

Directed By: Russ Meyer. Critics Consensus: Though hard to watch, this film's disturbing exploration of freedom of expression is both seductive and thought-provoking.

Directed By: Bernardo Bertolucci. Critics Consensus: Kubrick's intense study of the human psyche yields an impressive cinematic work.

Directed By: Stanley Kubrick. Critics Consensus: Boldly transgressive, ambitious, and undeniably flawed, Pola X overcomes its stumbles with palpable passion.

Directed By: Leos Carax. Directed By: Jean-Jacques Beineix. Critics Consensus: More complicated than your average bodice ripper, Catherine Breillat's Last Mistress features beautiful costumes, wrought romances, and a feral performance from Argento.

Directed By: Catherine Breillat. Critics Consensus: A potboiler in the finest sense, Fatal Attraction is a sultry, juicy thriller that's hard to look away from once it gets going.

Critics Consensus: Maggie Gyllenhaal impresses in this romantic comedy with a kinky twist. Directed By: Steven Shainberg. Critics Consensus: Darkly funny, fearlessly bold, and thoroughly indulgent, Nymphomaniac finds Lars von Trier provoking viewers with customary abandon.

Directed By: Lars von Trier. Critics Consensus: A compelling and oddly haunting combination of brutal and beautiful imagery.

Directed By: Kim Ki-duk. Critics Consensus: Tasteful, poetic, yet sexually forthright, Lady Chatterley skillfully translates its source novel's high-art erotica onto the big screen.

Directed By: Pascale Ferran. Critics Consensus: The Wayward Cloud may baffle more literally minded viewers, but its surreal pleasures will resonate with fans of thoroughly unique cinema.

Directed By: Ming-liang Tsai. Directed By: Louis Malle. Critics Consensus: Exemplifying Brian De Palma's filmmaking bravura and polarizing taste, Body Double is a salacious love letter to moviemaking.

Critics Consensus: Reid gives a fearless, realistic performance in depicting an older woman's sexual blossoming.

Directed By: Roger Michell. Critics Consensus: Moody and steadily alluring, Sea of Love benefits immeasurably from the window-fogging chemistry between Ellen Barkin and Al Pacino.

Directed By: Harold Becker. Critics Consensus: Angel Heart lures viewers into its disturbing, brutal mystery with authentic noir flair and a palpably hypnotic mood.

Directed By: Alan Parker. Critics Consensus: A whimsically engaging sex comedy. Directed By: Shohei Imamura. Critics Consensus: Boasting stellar performances by Michael Fassbender and Carey Mulligan, Shame is a powerful plunge into the mania of addiction affliction.

Critics Consensus: Smartly constructed by writer-director Gina Kim and brought to life by a strong cast led by Vera Farmiga, Never Forever is an unexpectedly engaging melodrama.

McInnis , Hwa-Si Lee. Directed By: Gina Kim. Directed By: Simon Rumley. Critics Consensus: A quartet of nuanced performances and Ken Russell's off-kilter direction brings D.

Critics Consensus: The stylish Thirst packs plenty of bloody thrills to satisfy fans of both vampire films and director Chan Wook Park.

Directed By: Park Chan-wook. Critics Consensus: It stumbles into melodrama, but I Am Love backs up its flamboyance with tremendous visual style and a marvelous central performance from Tilda Swinton.

Directed By: Luca Guadagnino. Critics Consensus: A poignant coming-of-age tale marked by a breakout lead performance from Abbie Cornish and a successful directorial debut from Cate Shortland.

Directed By: Cate Shortland. Critics Consensus: A sensual thriller with two engaging performers demanding our undivided attention.

Critics Consensus: With arresting visuals and an engrossingly lurid mystery, Dressed to Kill stylishly encapsulates writer-director Brian De Palma's signature strengths.

Critics Consensus: David Lynch's dreamlike and mysterious Mulholland Drive is a twisty neo-noir with an unconventional structure that features a mesmirizing performance from Naomi Watts as a woman on the dark fringes of Hollywood.

Directed By: David Lynch. Critics Consensus: Exploring sexual mores against the backdrop of real-life social upheaval, The Unbearable Lightness of Being artfully blends the political and the erotic.

Critics Consensus: Naturalistic but evocative, Last Tango in Paris is a vivid exploration of pain, love, and sex featuring a typically towering Marlon Brando performance.

Critics Consensus: Its message may prove elusive for some, but with absorbing imagery and a mesmerizing performance from Scarlett Johansson, Under the Skin is a haunting viewing experience.

Directed By: Jonathan Glazer. Critics Consensus: The Untamed attempts some ambitious tonal juggling between fantastical and disturbing -- and draws viewers in with its slippery, inexorable pull.

Directed By: Amat Escalante. Critics Consensus: Sexual taboos are broken and boundaries crossed In the Realm of the Senses, a fearlessly provocative psychosexual tale.

Directed By: Nagisa Oshima. Directed By: Angela Robinson. Critics Consensus: This emotionally gripping examination of a marriage on the rocks isn't always easy to watch, but Michelle Williams and Ryan Gosling give performances of unusual depth and power.

Critics Consensus: Bound's more titillating elements attracted attention, but it's the stylish direction, solid performances, and entertaining neo-noir caper plot that make it worth a watch.

Critics Consensus: Provocative, funny, and brilliantly acted, Venus in Fur finds Roman Polanski in top late-period form. Starring: Emmanuelle Seigner , Mathieu Amalric.

Critics Consensus: Raw, honest, powerfully acted, and deliciously intense, Blue Is the Warmest Color offers some of modern cinema's most elegantly composed, emotionally absorbing drama.

Directed By: Abdel Kechiche. Critics Consensus: The Blue Room proves a sobering study of the dark side of human nature, as well as a coolly assured directorial effort from star and co-writer Mathieu Amalric.

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His girlfriend Ithra and her family are coming over for Saturday lunch. She's texted to say they are minutes away. It will be the first time his black family and her Asian-origin family have met.

He's wearing a casual T-shirt and jeans, but for once he's looking agitated. You're not going to get, like, pizza.

Earlier in the week, when I met Tumelo and Ithra near Rosebank mall in Johannesburg, they'd explained that two pivotal things were about to happen: they were going to find out whether they would get junior doctor placements together in Cape Town - and they were going to introduce their parents.

It's late and Ithra and Tumelo, both 24, are both at the end of their final year of medical school at Wits University in Johannesburg.

They became friends almost immediately in their first year and started going out in their third year. Throughout their friendship both have had other relationships, and both have dated outside their races before - but both feel that they received fewer stares when they had white partners.

I think it is a post-apartheid thing, people have a hierarchy that was built up in their head. Apartheid, South Africa's government-sanctioned segregation of races, officially ended in when Nelson Mandela became president.

It was also the year the couple were born - which makes them part of the so-called Born Free generation. They are also free to love whomever they want, at least in theory.

Relationships between black and Asian South Africans remain uncommon, though. If it's interracial, it's a person of colour with a white person.

But Blasian is a growing social media tag used by black or Asian people in relationships with one another - sometimes documenting the specific challenges they face.

Ithra's family come from Cape Malay, a community of mixed-Asian ethnicities who have been in South Africa for generations.

Born in Kenya to an Indian father, Ithra moved back to her mother's home country - to Johannesburg - at the age of six. It's where she decided to stay for university and where she would meet Tumelo, who was born in the city.

Ithra had a liberal upbringing. Her mother, Rayana, had actively opposed and organised against apartheid.

But not everyone was ready for her relationship with Tumelo. It started with a mass exodus from the wider family Whatsapp group.

At first Ithra didn't know what had happened. When we met, Ithra hadn't spoken to her grandmother Washiela since that moment. It had been almost three months.

Ithra and her four sisters mill around in the background, speaking over each other as they cut fruit, boil tea and flip pancakes, in an almost synchronised dance that enables them to avoid bumping into each other.

My parents wouldn't have stepped into a black person's home. Rayana moved back to Johannesburg from Kenya as a single mother and raised her daughters alone until she remarried.

As she's describing how she campaigned against apartheid, alongside black activists, there's a sudden screaming from upstairs.

Cape Town! The news came with a 'they'," Rayana exclaims. Ithra and Tumelo have received the news that they have secured junior doctor placements in the same hospital - over 1,km away in Cape Town.

Until now Ithra and Tumelo have lived at home, supervised by their families. But soon they will be moving away together to a new city.

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